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Saitan Theater Group in association with Instituto Cervantes Neuva Delhi present a theater festival.
“किरदार अनूठे बुन कर मुझको, एक किस्सा नया सुनाना है”
कहानियों को, लफ़्ज़ों को, किस्सों को इकट्ठा करके हम ये फेस्टिवल लेकर आयें हैं। इन सब कहानियों से हम आपको रूबरू करना चाहते हैं। वक़्त निकल कर आ जाना, हमे इंतज़ार रहेगा आपका।
There will be:
16 short plays
3 full length plays
2 theatre band performances
15 poetry performances
The play is based on two short stories of Rabindranath Tagore. Written around eighty years ago, these stories are relevant for the present times. Read closely, it becomes one written for the problems of the present age. This very aspect of the narrative gives rise to a pertinent question; have we really changed? Our play, Tagore’s Women answers this very question.
The story revolves around two distinct characters; Giribala and Mrinal. As individuals, they are poles apart, but are searching for the same thing; a sense of individuality and liberty. This is a story about Two Married women who break away from fetters of turmoil and pain, to find their own freedom. This is a story of women who exhibit the courage to give rise to as many more questions as they answer. This is a story of women who decide to live life on their own terms
T.S Eliot’s ‘The Love Song of J Alfred Prufrock‘ inquires into the disillusionment of a man with the times he is living in. Derived from this literary masterpiece, our performance uses the interplay of the human body to understand the poem’s protagonist and the structures surrounding him.
In the attempts to find Prufrock inside the performers’ bodies, residing alongside their own anxieties, the performance ends up creating multiple Prufrocks.
All cramped inside this overwhelming world of ours. The fractured narrative is threaded delicately by swift movements through urban landscapes.
The Metro | The Office | The Mall | Home | The Pub become witnesses to Prufrock’s constant attempts to be.
Devised by: Anannya Tripathyi (Performer), Dhwani Vij (Performer), Neel Sengupta (Director) and Rahul Tewari (Performer)
Produced by : Third Space Collective
Everyone is well aware of the treacherous actions of Aurangzeb the great Mughal emperor, but what about it’s repercussions.
Aurangzeb rose and built an empire but when he fell, the stones of his very own empire made him bleed. His dying voice craved for the forgiveness and sympathy of the souls he erased from the face of the Earth. And at last, even death found it hard to swiftly reach his path.
‘Aurangzeb Ki Aakhri Raat’ is the saga that tells about all those laments which he had before his demise.
Theatreleela Acting Studio in association with Harfkaar Foundation brings to you their stage production ‘CHANDRAGUPTA’ written by Sri Jai Shankar Prasad and directed by Mr. Varun Sharma.
Chandragupta is a play which shows the journey of Chandragupta Maurya from a commoner to the king of Magadh. It also shows how Chankya used his mind and Chandragupta’s strength to defeat the Greeks and fulfill his desire to make India a united nation. It tells the story of politics, diplomacy, revenge, hatred, conspiracy, sacrifice and love for the nation.
Come and witness this historical drama.
“Jheeni”, An Interplay of Music, Theatre & Dance exploring poems by Kabir, Janabai and Chokhamela
ILF Samanvay Translations Series 2017 – a collaborative performance featuring Co-director and dancer Sanjukta Vagh, Co-director and musician Shruthi Vishwanath, Hitesh Dhutia on Guitar, Vinayak Netke on Tabla and Deepa Dharmadhikari on lights. Translations: Arundhathi Subramaniam H.S. Shivaprakash, Jacqui Daukes, Jerry Pinto, & Neela Bhagwat.
Compositions: Kumar Gandharva, Gundecha Brothers, Jitendra Abhisheki, & Shruthi Vishwanath.
“Apni Basti Mela 2017” : Celebrating 700 years of living heritage of Hazrat Nizamuddin Basti
Schedule :
MELA
Open activities and displays signifying the richness and diversity of the oldest settlements in
Delhi
SAIR (Walk)
Meander through 700 years history as it stands woven in the architecture and culture of the place.
Conducted by heritage volunteers from the community.
*Daily at 10.00 and 04.30 pm. (Pre-Registration required)
ZAIQA
Learn to cook local cuisines from Master Chef Mohd. Naseem and Jawed Qureshi of Hazrat
Nizamuddin Basti
*18-19 November, 3.00 pm (Pre-Registration required)
SHAM e MEHFIL
Venue: Chausath Khamba
Time: 06.00 pm
Hazrat Nizamuddin Basti
Friday, 17 November 2017 , 06.00 pm
Sufiana Qalaam by Mukhtiyar Ali and group
Saturday, 18 November 2017, 06.00 pm
Rahiman Dhaga Prem Ka
Play directed by Nadeem Khan
Sunday, 19 November 2017, 06.00 pm
Classical Music by Ustad Rashid Khan
Workshops:
Kite Making
Jewelry Making
Calligraphy
Conservation Techniques (Incised plaster)
Toy Making
Cartoon Making
Miniature Painting
Stage Activities:
Magic Show
Juggling and Acrobatics
Fancy Dress Competition
Singing competition
Bal sabha
Cultural activities by Children
Traditional Music (Groups from Uttar Pradesh and West Bengal)
Registered Activities :
Sair (Heritage Walk) 10:00 am and 04.30 pm 17,18 and 19 November 2017
Zaiqa (Food Workshop) 03.00 pm 18 and 19 November 2017
“The Conference of the Spices/ The Masalaa Chronicles” A Performance in three acts, with Puppets, by Varun Narain
India has always been known as the land of spices. And its spices have been associated with cuisine, emotions, health, trade and commerce. The lure of spices has made the subcontinent one of the most sought after, leading historically to trade with the Portuguese, and Persian empires, and even the Dutch, and the British. If we look at the story of every different spice we consume, we experience in them an aromatic historical image and the flavor of many stories of the past and present. The performance is set in India, The spice garden through time…
The different spices used in Indian cooking are characterized as life-sized puppets, which interact with the audience and tell their story to through dialogue, actions, dance and music. These interactions will be scripted to include the history and legends as well as the unique aspects of the particular spice.
NATSAMRAT presents “15th Natsamrat Natya Utsav”
1. FAUST
Wriiten by Girish Karnad and Directed by Shantanu Bose
On 10 th January, 2018 at 6:30 p.m.
2. NO PARKING
Written by Harshpal Singh & Kulvinder Singh and Directed by Yashmeet Singh
On 10 th January, 2018 at 8:00 p.m.
3. CHAR KOAT
Written by A.V.Kamal and Directed by Sudhesh Vyas
On 11 th January, 2018 at 6:30 p.m.
4. WASIYAT
Written by Bhagwati Charan Singh and Directed by Joy Rangayan
On 11th January, 2018 at 8 p.m.
5. KHOOBSURAT BALA
Witten by Agha Hashra Kashmiri and Directed by Hema Singh
On 12 th January, 2018 at 6:30 p.m.
6. MORE THAN 8X2
Wriiten by Various and Directed by Shubham Aggarwal
On 12 th January, 2018 at 8:00 p.m.
7. ANDHA YUG
Written by Dr. Dharamveer Bharti and Directed by Joy Maisnam
On 13 th January, 2018 at 7 p.m.
8. BALI AUR SHAMBHU
Witten by Manav Paul and Directed by Pawan Chauhan
On 13 th January, 2018 at 8:00 p.m.
9. MISPRINT
Written and Directed by Kuldeep Kunal
On 14th January, 2018 at 6:30 p.m.
10. JO TUM CHAAHO
Written and Directed by Ved Dutt Arya
On 14 th January, 2018 at 8:00 p.m.
“Laajo” Hindustani Comedy play
The play is based on eminent Urdu writer Ismat Chughtai’s famous story ‘Gharwali’.
The play is a Satire on society, people and their illogical practices. The institution of Marriage is been treated as a comical element in the play, Ismat Chughtai has ironically sketched the deformed characters who regulates these laws in the name of values and also made fun of their crippled situations.
Director : Rajesh Tiwari
Cast : Poornima Shettygar, Jitender Hooda, Nikhil Sharma, Shradha Sharma, Amit Tiwari
Music is food for the soul, and when it comes to soulful music, Sufi has its place. Sufism goes beyond religion. Sufi music helps in establishing direct connect with the creator. Being one of the oldest forms of music, Sufi is not only about lyrics and mystical vocals; it is about enlightenment and self-realization. Lodi- The Garden Restaurant one of the Al fresco dining restaurant in Delhi is welcoming you to embrace the ruhaniyat with Sufi music. This musical night will be organized between 19th of January 2018 – 21st January 2018. These three nights are going to be the most magical and extravagant. There is no better way to kick-start the new year than to enjoy the true essence of music and soulfulness. It is a promise that this is going to be an unforgettable experience.
You will witness some of the famous talents like Nizami Bandhu, Rohaani Sisters showcasing their talent.
As part of Nashisht Series.
Based on Anita Mohan Rakesh’s autobiographical ‘Satrein aur Satrein’ and Mohan Rakesh’s diary, his books and stories, the evening attempts to offer a glimpse of his temperament and talent and their turbulent courtship and intense relationship.
It unfolds with a narration of her struggle to cope with a dysfunctional family, her meeting with Rakesh, their correspondence and eventually a rather dramatic elopement later on. The audience gets a taste of Mohan Rakesh’s literary genius against the backdrop of their life in the 50s and 60s.
‘Anita aur Rakesh’ is an enticing journey with both Anita and Mohan Rakesh and a privileged first hand peek into their somewhat complex but very intriguing lives.
Artiste: Kanika Aurora – A multifaceted actor
Concept: Kamlesh Kumar Kohli
Collaboration : Impresario Asia
Asmita Theatre Group presents Swadesh Deepak’s “Court Martial” Hindi Play.
When respect is denied to a man for the only reason that he is borne by ‘low-caste’ parents, the offence cannot simply be termed as a social violence. It assumes larger proportions of crime against humanity and society at large. Yet by the turn in situation the murderer becomes a win…ner whereas the victim is unforgiving.The culprit may receive severe punishment at the hands of the law but, in fact, it is the society which is put in the docks. Court Martial, written by Swadesh Deepak, is a story of recruit Ram Chander who is tried for murdering one of his officers and injuring another.
The Court Martial is presided by a war veteran. Col Surat Singh who has witnessed many ‘life –and –death’ situation. But this trial puts him in a queer position, so far unknown to him, and during the course of interrogation he realize that the issues at stake are much larger than what meets the eye. Realizing that the Indian army is the only government agency in which reservation on caste basis is not permissible. Court Martial presents a combination of legal and poetic justice.