Symposium on “Hindi Navjagran and Shivpoojan Sahay” on the occasion of 125th Birth Anniversary of Shivpoojan Sahay.
“है कहाँ तमन्ना का दूसरा क़दम या रब!
हमने दश्त-ए-इम्कां को एक नक़्श-ए-पा पाया”
ہے کہاں تمنا کا دوسرا قدم یا رب
ہمنے دشت امکاں کو ایک نقش پا پایا
**मिर्ज़ा असदुल्लाह बेग़ खां ‘ग़ालिब’~ 27/12/1797- 15/02/1869**
बिला शिक़वा मिर्ज़ा ग़ालिब उर्दू अदब की तारीख़ के सबसे अच्छे शाइर हुए हैं। इसका अंदाज़ा इसी बात से लगाया जा सकता है कि जो क़लाम वो 150 बरस पहले लिख गए हैं, वो आज भी ताज़ा है। ग़ालिब को जितनी बार पढ़ा जाए, लगता है पहली दफ़ा पढ़ रहे हैं।
आइए कूचा-ए-शेर-ओ-सुख़न के सरताज मिर्ज़ा ग़ालिब की एक महफ़िल में शिरक़त कीजिए, ग़ालिब से जुड़िये, महसूस कीजिए।
इस इवेंट में आपके लिए पेश होंगी ये चीज़ें:-
* ग़ालिब की ज़िन्दगी जो कि काफ़ी हद तक misinterpreted रही, पर उनकी शायरी के हवाले से एक बातचीत का दौर।
* ग़ालिब के क़लाम: उनकी ग़ज़लें, उनके लिखे सहरा, मर्सिया का recitation
* ग़ालिब के ख़ुतूत(letters) की reading और उसके साथ उनकी ग़ज़लों का एक musical session
* अंत में एक सेशन सामईन के लिए कि वो ग़ालिब का कोई क़लाम, उनसे जुड़ी कोई बात, कोई अनुभव साझा करें सबके साथ।
इस एक छोटी सी कोशिश में शामिल हो कर शायरी के सबसे अलग अंदाज से रू-ब-रू होइए कि
“हैं और भी दुनिया में सुख़नवर बहुत अच्छे,
कहते हैं के ‘ग़ालिब’ का है अंदाज़-ए-बयां और!”
Aagaaz Theatre Trust wants to invite you to be a part of this series of events ‘kisse’ at Khirki Village, in collaboration with Khoj International Artists Organisation who will be celebrating 20 years of existence. We strongly believe that it will be a ‘one-of-a-kind’ experience.
Do you have a story to tell?
An anecdote from long ago?
Or an incident from last week?
There is variety of stories that we want to hear. Stories around food, sexuality, injustice, discrimination, migration, alienation, school life, relationship with arts and some that don’t fit into categories so perfectly.
You’ll be a book! You’ll have tales to tell!
People will come and read you as well.
Just recall that memory with all of your heart!
Leave the rest to us, just be there to start.
And don’t be scared,
If you’re not prepared,
To tell your story nice and loud.
We have for you,
Something else to do,
You can be in the reader crowd!
किस्से (Kisse) Connection has helped create kinship in its own strange ways.
MATI ( Management of Art Treasures of India) in collaboration with Art Konsult Gallery invite you to our lecture: Tribal Art and Culture for a Sustainable Society, featuring renowned speaker Kalyan Kumar Chakravarty.
Tribal art, as we have seen, is not art for the sake of art, but a very important part of tribal life. It is a reflection of their cultural environment, and is thus closely related to its other constituents like dance, drama, music, etc. It does not have a separate identity. In fact, none of these constituents exists alone in tribal life. Tribal art is the visual arts and material culture of indigenous people. Also known as ethnographic art, or, controversially, primitive art, tribal arts have historically been collected by Western anthropologists, private collectors, and museums, particularly ethnographic and natural history museums.
The objectives of this lecture are:-
1- To discuss the need to preserve our tribal art and culture.
2- To explain the types of tribal art.
3- Understanding the significance or importance of tribal art and cultural.
4- Contribution of tribal art and culture for a sustainable society.
About the speaker:
Kalyan Kumar Chakravarty, IAS (retired in the rank of Secretary, Govt. of India),M.A (Kolkata), A.M and M.P.A ( Harvard),PhD, Fine Arts (Harvard), is President , Bhasha Trust, Baroda, People’s Council of Education, Allahabad , Distinguished Professor, Center for Knowledge Societies, Centurion University of Technology and Management, Paralakhemundi, Orissa ;Member, Tourism Boards , Govts of Madhya Pradesh and Chhattisgarh ;Advisor, Ujjayanta Palace Museum , Govt of Tripura.
Dr Chakravarty has been Chairman ,Lalit Kala Akademi ,National Screening and Evaluation Committee, A.S.I, DG ,National Museum , Vice Chancellor, National Museum Institute , Member Secretary ,National Centre for Arts (IGNCA),in Delhi , National Museum of Mankind ( IGRMS), at Bhopal, in the Ministry of Culture, Govt. of India ; and ,Chancellor, National University of Educational Planning and Administration (NUEPA) , Member, Governing Councils, National, Open and Tribal Universities in the Ministry of Human Resources Development , Govt of India. He has headed the Delhi Institute of Heritage Research and Management( DIHRM) as Vice Chairman ; sectors of Archaeology in Madhya Pradesh And Chattisgarh .
His publications include exhibition catalogues on Contemporary and Ancient art, edited journals on Art , books and articles on Family, Tribal Identity, Indigeneity ,Education, Rock Art, Folk and Tribal Art ,Khajuraho, Gwalior Fort, Orccha, Bodhgaya , Ujjayini, Vidisha, New Museology, Archaeology, Indology and Sanskritic traditions. Has been Chair, Annual Bibliography of Indian Archaeology (ABIA) , Kern Institute, Netherlands ;Member, ICOM/ICME International Board; Editorial Boards, IFRAO Rock Art Journal, Melbourne; UNESCO Journal for Intangible Heritage, Seoul; Continuum Advances in Semiotics Series, London and New York ; Humankind, IGRMS ,Bhopal ;Boards of French Institutes and Italian Cultural Centre, India.
Dr Chakravarty has reinvented cognitive categories ; nurtured relations among cultures, disciplines and arts, strategized culture specific governance and diplomacy; restored vanishing links of cultural, linguistic, biological diversity; regenerated community habitats as living museums; and rebuilt crumbling bridges between culture and development. He is known for fusing theory and practice in promoting cultural survival, environmental self determination and sustainable knowledge systems of marginalized communities.
“Harappans in the Ganga Valley: New Discoveries”
As part of Indian Archaeology Series.
Speaker: Dr. Bhuvan Vikrama, Archaeological Survey of India
The Harappan presence in the east of Yamuna has been attested at Alamgirpur (Baghpat) and at Hulas (Saharanpur), however, with an admixture of local or regional cultural elements, it represents a diluted form of the Harappans or its rural manifestation with no urban signatures. Recent, discovery of a large collection of copper objects from Harinagar (Bijnor) and a small scale excavation at Sakatpur (Saharanpur) yielding the copper hoard implements with Harappan artefacts has brought us to a point where a rethink of the Harappan presence in Yamuna-Ganga doab and beyond becomes imperative. The present talk will focus on the Harappan evidences found in this region and will discuss their significance and relevance.
Rembrandt and the Mughals is the subject of a new book and forthcoming exhibition at the Getty Center curated by Stephanie Schrader. Rembrandt made 23 drawings late in his career based on Indian paintings imported to Amsterdam from Surat. These portraits of rulers, princes and courtiers reveal how the contact with Indian art inspired him to start drawing in a different, more refined style, and on Asian paper. Schrader argues that the Mughal compositions Rembrandt copied were not merely curiosities, but carried with them specific associations of empire, trade, luxury and exceptional artifice.
Raza Foundation and Civil Services Officers’ Institute are holding a discussion on “Pleasure of Reading”, as part of series of ‘Art Dialogues’.
A rumour that ends in calamity; A girl who is demonised because of her ‘evil’ horoscope; A man who preys upon young girls; A train journey that forces a woman to look at her marriage anew; The gorgeous inner life of a shop girl; A child overwhelmed by the wonder and terror of his world…
Set in Kolkata and Delhi, the stories in this collection deal with love and betrayal, dogma and superstition, sexuality and thwarted desires. The characters belong to the world of urban, aspirational India where snobbery and rat race go hand in hand with class and religious conflicts.
Dark or funny, satirical or poignant, these stories are as much a snapshot of modern India as they are an intense crystallisation of the unpredictable chaos of life.
Come to the book launch and meet the likes of Mrinal Pande (Writer, Former Chairperson of Prasar Bharati, Senior Group Editorial Advisor to the National Herald Group),
Anita Agnihotri (Writer and Former Civil Servant), Poonam Saxena (Writer, Translator and National Weekend Editor, Hindustan Times).
A two-day “Conference on EU-India Partnership for Cultural Heritage Conservation” taking place on 4 and 5 December 2018 at the National Museum Auditorium, Janpath, New Delhi.
“Conference on EU-India Partnership for Cultural Heritage Conservation will mark the pinnacle of the European Year of Cultural Heritage (EYCH), aiming to encourage more people to discover and engage with Europe’s and their own cultural heritage, and to reinforce the sense of belonging through common history, values and culture.
In line with this vision, the Delegation of the European Union together with the National Museum Institute, Government of India, will convene 20 Indian and 18 European experts in wide array of disciplines coming under the umbrella of cultural heritage conservation, to discuss past achievements and present challenges, explore future prospects, and thus ultimately contribute to enhancing EU-India collaboration in the field of cultural heritage conservation.
Our objective is to amplify the impacts of this Conference through involving a maximum number of participants. Given your renown among cultural stakeholders and your involvement in the heritage sector, I would like to invite you for the Conference of which Inaugural session will be graced by Honourable Minister Hardeep Singh Puri.
The latest version of the Conference Agenda is available at this link. For information please visit our website.
A two-day “Conference on EU-India Partnership for Cultural Heritage Conservation” taking place on 4 and 5 December 2018 at the National Museum Auditorium, Janpath, New Delhi.
“Conference on EU-India Partnership for Cultural Heritage Conservation will mark the pinnacle of the European Year of Cultural Heritage (EYCH), aiming to encourage more people to discover and engage with Europe’s and their own cultural heritage, and to reinforce the sense of belonging through common history, values and culture.
In line with this vision, the Delegation of the European Union together with the National Museum Institute, Government of India, will convene 20 Indian and 18 European experts in wide array of disciplines coming under the umbrella of cultural heritage conservation, to discuss past achievements and present challenges, explore future prospects, and thus ultimately contribute to enhancing EU-India collaboration in the field of cultural heritage conservation.
Our objective is to amplify the impacts of this Conference through involving a maximum number of participants. Given your renown among cultural stakeholders and your involvement in the heritage sector, I would like to invite you for the Conference of which Inaugural session will be graced by Honourable Minister Hardeep Singh Puri.
The latest version of the Conference Agenda is available at this link. For information please visit our website.
Conference on Life and Legacy of Guru Padmasambhava- Centre for Escalation of Peace (CEP), India International Centre (IIC) and Sahapedia are organising a two-day conference on the rich tradition and legacy associated with Guru Padmasambhava, one of the most revered and iconic figures for Buddhists today.
The conference, titled ‘Life and Legacy of Guru Padmasambhava’, will be held on January 29-30 at IIC in New Delhi. The event will bring together some of the most distinguished scholars from India, Nepal and Bhutan, who will retrace aspects of the Guru’s life and will highlight the contemporary relevance of the Guru’s teachings as well as the rich, diverse tradition associated with the 8th century Rinpoche. The conference is slated to be one of the events celebrating the 50 years of diplomatic relations between India and Bhutan.
PRESS RELEASE
International conference on Guru Padmasambhava
to explore life and legacy of ‘Second Buddha’
- Exhibition showing rare artefacts associated with 8thcentury Himalayan sage
will run parallel to the conference
- The conference is slated to be one of the events celebrating 50 years of
diplomatic relations between India and Bhutan
New Delhi, Jan 28: Centre for Escalation of Peace (CEP), India International Centre (IIC) and Sahapedia are organising a two-day conference on the rich tradition and legacy associated with Guru Padmasambhava, one of the most revered and iconic figures for Buddhists today.
The conference, titled ‘Life and Legacy of Guru Padmasambhava’, will be held on January 29-30 at IIC in New Delhi. The event will bring together some of the most distinguished scholars from India, Nepal and Bhutan, who will retrace aspects of the Guru’s life and will highlight the contemporary relevance of the Guru’s teachings as well as the rich, diverse tradition associated with the 8th century Rinpoche. The conference is slated to be one of the events celebrating the 50 years of diplomatic relations between India and Bhutan.
Ambassador Shyam Saran, Life Trustee of the IIC, said, “Guru Padmasambhava is known as the Second Buddha because he played a seminal role in spreading Buddhism and Buddhist teachings across the Himalayan region, including Northeast India, Nepal, Bhutan and, Tibet.” Mr. N.N. Vohra, President of the IIC, will inaugurate the event. The keynote address will be delivered by Dasho Karma Ura, President of Centre for Bhutan Studies, who is also credited with developing the Himalayan country’s Gross National Happiness concept. Other speakers include accomplished Buddhist practitioners such as Mingyur Rinpoche, Neten Chockling Rinpoche and distinguished scholars such as Wangchuk Dorjee Negi, Karma Phuntsho and Ian Baker.
The conference, which is open to the public, will be documented and presentations will eventually be available on www.cepeace.org and www.sahapedia.org. Mr. Arun Kapur, Director of Centre for Escalation of Peace, said, “Guru Padmasambhava undertook many travels across India, Bhutan, Tibet and Nepal. A study into his travels demonstrates his ability to contextualize and localize his message, taking into account the particularities of place and sensibilities of the people. Guru Rinpoche found a way to celebrate our individual differences in our shared commonalities. That is why, in addition to bringing into focus the contemporary relevance of his teachings and the rich and diverse tradition associated with him, this conference is dedicated to the 50 years of diplomatic relations between India and Bhutan. Centre for Escalation of Peace organized the first Padmasambhava Conference in 2016 in Bhutan, in collaboration with Centre for Bhutan Studies, Thimphu, as a joint event to commemorate the Birth Anniversary of Guru Padmasambhava in Paro, Bhutan, on 14-15 June 2016.”
The conference will be accompanied by an exhibition of rare thangka paintings, sculptures and photographs associated with the sage. Exhibits have been loaned by both individuals and organizations, including from His Majesty’s Secretariat, Bhutan, Tibet House, Delhi, the Palpung Sherabling Monastery, Library of Tibetan Works & Archives and Tsurphu Labrang. The exhibition, to be mounted at the IIC Art Gallery, will be open for public viewing from January 29 until February 3.
Conference sessions will range from the local contexts associated with Guru Padmasambhava, texts and commentaries to the ritual practices, mandalas and iconography that are central to Vajrayana Buddhism.
Dr. Sudha Gopalakrishnan, Executive Director of Sahapedia, stressed: “It is important to organize such exchanges of learning on Buddhism, to make them available for as many people as possible. While the conference is open to all, we realize that the vast majority of those who want to learn about Guru Padmasambhava and Buddhism cannot be present in person during those two days.”
The conference will be telecast live on Facebook and on YouTube.
BOOK DISCUSSION : Hindustani Awaaz presents “Andhera Pag” a novel by Dr. Sarwat Khan
Event Description : BOOK DISCUSSION : Hindustani Awaaz presents “Andhera Pag” a novel by Dr. Sarwat Khan.
New Urdu Writings Series
Discussion with the author, Prof. Anwar Pasha, Professor, Dept. of Urdu, JNU and Dr. Nigar Azim, poet-writer
Moderated by Dr. Rakhshanda Jalil, Founder, Hindustani Awaaz.
Warli Painting Workshop
About the Event
Do you want to expand your creative horizon and learn the different art forms existing in India?
In this course, you will learn the techniques of Warli Art. Warli paintings are believed to be one of the oldest forms of art in history. It is a tribal art mostly done by Adivasi from North Sahyadri Range in India, i.e. in western India.
This form of tribal art mainly makes use of geometric shapes such as circles, triangles, and squares to form numerous shapes depicting the life and beliefs of the Warli tribe.
The Warli tribe believes in harmony between nature and man, and often these beliefs are depicted in their paintings. The painting was done on a brown background made of mud and cow dung. The white pigment used to draw shapes and figures was a mixture of rice mixed with water and gum.
In this course, you’ll go through the following concepts –
-Lifestyle Warli pattern drawing
-Warli basics
Materials required for the workshop:
- Pastel papers
- Scale
- Pencil, rubber, and cutter
- Permanent marker ( fine tip)- any color
- A4 sheets
- Fevicol or fabric glue
- Jewelry wire ( eye pin)
- Stud pins
- Pliers – cutter and mold plier
- Hook
- Fabric color
- Brush ( thin and thick)
By the end of this course, you’ll learn to create amazing Warli Art, with the tips and techniques to make beautiful wall paintings, jewelry, coasters as well. Indian Tribal Art Form is surfacing on top now more than ever.
If you are a passionate artist who wants to learn and explore different kinds of folk art, then REGISTER for this course today!
https://insider.in/warli-painting-indian-tribal-folk-art-sep27-2021/event
Mandala – A Healing Journey through Art
About the Event
Are you interested in trying different art forms?
Looking to invest your creative energy in the right place?
Mandala Artform is all about creating circles and performing meditation in a different way.
Mandalas mean circles in Sanskrit, used during Buddhist time to help the practitioners focus. Throughout ancient history, art has been an outlet for expressing the depth of human experiences. By creating your own Mandala, choosing the patterns, designs, and colors you become more aware of the steps you are taking and in turn become fully conscious and focused on your creative energy. You start to become more relaxed from the center of your mind and body.
Course Structure for 2 Days workshop is:
- Start from the basics of Mandala
- Benefits of Mandala Art
- Grid Making
- Pattern formation
- Techniques and pointers to remember while making Mandala
- Question answer session
Materials required for the workshop:
- Black pen or fine liner and pencil
- Eraser
- Scale / Ruler
- Compass /Rounder
- Stencil ( Optional )
- A4 size Drawing book / Plain paper diary
- Protractor
- Sketch pens or brush pens (optional)
By the end of the workshop, you will be able to understand what essentially constitutes a Mandala, symmetry and designs, grid making, and the process of making layers to be able to make full mandala paintings.
Register Now and start your journey!
https://insider.in/bandit-festival-2021-indias-largest-virtual-music-competition-oct9-2021/event
Saturday, 14th October 2023
12:30 PM
Shibuya Food and Bar: Delhi
for further details, visit – https://in.bookmyshow.com/events/sushi-making-with-shibuya/ET00368879
