THEATRE “Jashn-E-Qalam” Hindustani Play

Event Description : THEATRE “Jashn-E-Qalam” Hindustani Play

An Old World Culture Presentation

Does beauty lie in the eyes of the beholder? What happens when an internal monologue is stuck on loop in your mind? To what extent will you push the boundaries of a frenemy? Unwrap these questions through scintillating Solo Performances of timeless Hindustani Short Stories.

Rajendra Yadav | KINARE SE KINARE TAK | Rajesh Kumar
A Husband battles the gnawing pangs of Doubt & Deceit. What demons lie lurking in the depths of our mind? How do you keep them at bay before this madness & mayhem wreaks havoc?

Rajinder Singh Bedi | CHECHAK KE DAAG | Shashwita Sharma
A beautiful bride-to-be sees the groom for the first time on her wedding day. Her dreams turn into a nightmare; the prince’s face is not so charming. Is beauty in the eyes of the beholder?

Patras Bokhari | MARHOOM KI YAAD MEIN | KC Shankar

Ride this roller-coaster of laughs that delves into the strange connections between friendship and honesty, humour and pain, comedy and tragedy.

Written by Rajinder Singh Bedi, Patras Bokhari & Rajendra Yadav

14th Mahindra Excellence in Theatre Awards & Festival

NOMINATIONS

BEST PLAY:

• Agarbatti directed by Swati Dubey and produced by Samagam Rangmandal (Jabalpur [Madhya Pradesh], 1 Hr 20 Min, Hindi & Bundeli)
• Andha Yug (Gujarati Adaptation) directed by Dr. Chavan Pramod R. and produced by Rang Prayog (Vadodara [Gujarat], 1 Hr 35 Min, Gujarati)
• Andha Yug (Hindi Adaptation) directed by Joy Maisnam and produced by TAAM, Manipur(Imphal [Manipur], 1 Hr 10 Min, Hindi)
• Bhagi Hui Ladkiyan directed by Dhwani Vij and produced by Aagaaz Theatre Trust (Delhi, 1 Hr, Hindustani)
• Chandâla, Impure directed by Koumarane Valavane and produced by Indianostrum Théâtre (Pondicherry, 3 Hr (20 Min interval), Tamil)
• Chillara Samaram directed by Arun Lal and produced by Little Earth School Of Theatre Kerala (Malappuram [Kerala], 1 Hr 5 Min, Malayalam)
• Kola directed by Achutha Kumar and produced by Theatre Tatkal (Bengaluru [Karnataka], 2 Hr 15 Min (10 Min interval), Kannada)
• Loose Woman directed by Maya Krishna Rao and produced by Vismayah (Delhi, 1 Hr, English)
• Pulijanmam directed by Bineesh K and produced by Dravida Entertainments (Kochi [Kerala], 1 Hr 5 Min, Malayalam)

BEST DIRECTOR:

• Swati Dubey (Agarbatti)
• Dr. Chavan Pramod R. (Andha Yug, Gujarati Adaptation)
• Joy Maisnam (Andha Yug , Hindi Adaptation)
• Dhwani Vij (Bhagi Hui Ladkiyan)
• Koumarane Valavane (Chandâla, Impure)
• Arun Lal (Chillara Samaram )
• Achutha Kumar (Kola)
• Maya Krishna Rao (Loose Woman)
• Bineesh K (Pulijanmam)

BEST STAGE DESIGN:

• Joseph Bernard Lourdumarianathan – Chandâla, Impure
• Vaishak Krishnaprasad – Pulijanmam

BEST LIGHT DESIGN:

• Avtar Shahni – Andha Yug (Hindi Adaptation)
• Sajas Rahman – Chillara Samaram
• Suresh Kuttyraman and Sajas Rahman – Pulijanmam

BEST INNOVATIVE SOUND DESIGN:

• Vivek Sivadasan – Chillara Samaram

• Sumant Balakrishnan & Sudheer Rikhari – Loose Woman

• Sanal Dev – Pulijanmam  

BEST COSTUME DESIGN:

• Dr. Chavan Pramod R. – Andha Yug (Gujarati Adaptation)
• Nandini Patwardhan and Apeksha Ghaligi – Kola
• Ramya Suvi – Pulijanmam

BEST ACTOR IN A LEAD ROLE (MALE):

• Mohd. Shahnawaj for Ashwathama – Andha Yug (Hindi Adaptation)
• Vasanth Selvam for Jack – Chandâla, Impure
• Manikandan Rajan for Kari Gurukkal – Pulijanmam

BEST ACTOR IN A LEAD ROLE (FEMALE):

• Rukmini Sircar (Thakurain) – Agarbatti
• Maya Krishna Rao – Loose Woman
• Garggi Ananthan – Pulijanmam

BEST ACTOR IN A SUPPORTING ROLE (MALE):

• Ranganath Gopalarathnam for Dhrutarashtra – Andha Yug (Gujarati Adaptation)
• Akhil K P – Chillara Samaram
• Sreejith Sundar for Pottan Theyyam – Pulijanmam

BEST ACTOR IN A SUPPORTING ROLE (FEMALE):

• Monika Panwar for Damyanti  – Agarbatti

BEST ORIGINAL SCRIPT:

• Ashish Pathak – Agarbatti
• Jasmine, Nagina, Nagma and Zainab – Bhagi Hui Ladkiyan
• MP Rajesh – Chillara Samaram

BEST ENSEMBLE:

• Andha Yug (Gujarati Adaptation)
• Agarbatti
• Bhagi Hui Ladkiyan
• Chillara Samaram

BEST CHOREOGRAPHY:

• Joy Maisnam – Andha Yug (Hindi Adaptation)
• Dr. Chavan Pramod R. – Andha Yug (Gujarati Adaptation)
• Arun Lal – Chillara Samaram
• Maya Krishna Rao – Loose Woman
• Bineesh K – Pulijanmam

PLAYS SCHEDULE

The Company Theatre has taken a decision to withdraw their entry from META 2019.

Dream On Theatre Festival

DreamOnTheatreFestival is a celebration of diversity & uniqueness of each genre of emotion and the courage to dream.

There are a vivid set of genres with strong characters from plays ranging from 1970 classic ‘Ashadh Ka Ek Din’ to the sufi journey of Sahir Ludhianvi in ‘Wo Afsaana’, along with a comedy drama on India’s partition ‘Tranzistor Untuned’, with a take on women defamation remembering the viral gone Rs.10 note stating ‘Sonam Gupta Bewafa Hai’ and the 35 year old rib tickling comedy Out Of Order adapted to hindi play ‘Sweet Suite’.

If all the stories have something in common it’s the emotions & powerful characters & actors.

About the production/organizers : Dreaming Stage is a theatre production company established to provide real entertainment to the audience and change the theatre trend.

Schedule : 

5th April :
1-3pm Ashadh Ka Ek Din
4-6pm Ashadh Ka Ek Din
8-9pm Tranzistor Untuned

6th April :
2-3.30pm Wo Afsaana
5-6pm Sonam Gupta Bewafa Hai
7.30-8.30pm Tranzistor Untuned

7th April :
1-3pm Sweet Suite
4-6pm Sweet Suite
7-9pm Sweet Suite

Unicorn Actors’ Studio presents “Blue Whale and Saffron Sand” Hindi Play

Event Description : THEATRE : Unicorn Actors’ Studio presents “Blue Whale and Saffron Sand” Hindi Play as part of Popular Theatre Festival.

Parindey Storytellers presents “`Story`FIC” Hinglish Play

Event Description : THEATRE : Parindey Storytellers presents “`Story`FIC” Hinglish Play

A mature tale of relationships and the issues that eventually creep up in various relationships over time. The story of Dr. Mita, Dr. Manhar and Manoj which represents the multiple stages of relationships.

Cast – Aishik Acharya, Rani Maheshwari, Mayank Beejawat

Writer and Director : Prakhar Gautam

Dastangoi Summer Festival in Urdu/Hindustani

Entry : Tickets: Rs. 300, Rs. 350, Rs. 500, Available at :
Online : BookMyShow
Offline : At the venue if not sold out

Venue : Akshara Theatre, 11-12 B, Baba Kharak Singh Marg, New Delhi – 110001
Landmark : Next to RML Hospital Emergency Gate 5Venue Info :
Events | About | Map | Nearest Metro Stations – ‘Shivaji Stadium (Airport Line)’, ‘Patel Chowk(Yellow Line)Exit Gate – 3’ & ‘R. K. Ashram Marg(Blue Line)’ Exit Gate – 4
Parking : Ram Manohar Lohia (RML) Hospital public parking or Inside Akshara Theatre

Event Description : THEATRE : Dastangoi Summer Festival in Urdu/Hindustani

Poem of an Ending

POEM OF AN ENDING is a stage adaptation of Rabindranath Tagore’s ‘Shesher Kobita’, a classic revered by many. The novel has been adapted as radio plays and into a film in Bengali. However, this is for the first time ‘Shesher Kobita’ is adapted for the stage in English for a wider audience. This literary piece is considered as one of the best works of Tagore.

The play recounts the iconic love story of Amit Ray, a barrister educated at Oxford, whose virulent intellectualism reveals itself in its opposition to all forms of tradition. He meets Labonyo in a car accident and the romance builds up in the misty hills of Shillong. Amit’s iconoclasm meets Labonyo’s sincere simplicity through a series of dialogues and poems. But will these two worlds finally meet? The novel explores the realities of love as romance and marriage through a meeting of two mature minds. The story is also supported by Ketaki, Shovon, and Yogomaya who have critical roles in this story of love and conflict.

The play is presented in a unique format where each lead character is represented by an actor and a dancer/movement expert. The unique combination represents love as genderless and universal. The format brings in the contemporary element to the play and makes the production engaging for a young audience. The core idea behind the production is to present Tagore in a new age format, which has not been done yet on stage. With POEM OF AN ENDING, we have attempted to bring Tagore closer to the audience of this new generation and introduce them to the global genius in a new format.

“Dastan-e-Mahabharata” A presentation of the Mahabharata in Dastangoi

Entry : Free (Seating on First-Come First-Served Basis)

Event Description : THEATRE “Dastan-e-Mahabharata” A presentation of the Mahabharata in Dastangoi form. Using poetry from various Urdu versions of the epic, and alternating this poetry with narration of the great battle

Performed by Fouzia Dastango and Firoz Khan

Written and directed by Danish Iqbal

BOOK DISCUSSION : Hindustani Awaaz presents “Andhera Pag” a novel by Dr. Sarwat Khan

Event Description : BOOK DISCUSSION : Hindustani Awaaz presents “Andhera Pag” a novel by Dr. Sarwat Khan.

New Urdu Writings Series

Discussion with the author, Prof. Anwar Pasha, Professor, Dept. of Urdu, JNU and Dr. Nigar Azim, poet-writer

Moderated by Dr. Rakhshanda Jalil, Founder, Hindustani Awaaz.

Old World Theatre Festival 2019

Event Description : THEATRE : Old World Theatre Festival 2019

WORKSHOPS, MASTER CLASSES & PANELS AT THE OLD WORLD THEATRE FESTIVAL 2019 will also be held.

An Old World Culture Presentation.

Shriram Bharatiya Kala Kendra presents ‘Krishna’

Event Description : Padmashri Shobha Deepak Singh (Director & Vice Chairperson – Shriram Bharatiya Kala Kendra) looks forward to your presence, at the presentation of Shriram Bharatiya Kala Kendra’s epic 43rd edition of ‘KRISHNA’.

Shriram Bharatiya Kala Kendra presents the mesmerising dance drama of KRISHNA, depicting the fascinating persona’s life, abounding with legends, myths, miracles and adulation, over a span of three thousand years, portraying the fascinating journey of the playful icon from his adorable childhood and youthful antics, to the centre stage of human reverence. To enhance the visual appeal of the show, the Kendra is using the LED wall for the first time.

‘Krishna’ emotes the intrinsic truths of life, appealing in their fundamental simplicity, as enumerated by Lord Krishna. These lie within the folds of innumerable anecdotes, ensconced in His life’s tales, perpetually inspiring in their traditional or modern context. Padamshri Shobha Deepak Singh’s meticulous vision and execution presents all aspects of Lord Krishna’s persona, endowing a fascinating energy to the presentation. Brilliant choreography, lighting, costumes, sound, technical support and ambiance which create a suitable background, contribute to making all her productions heart warming. In the showcase of violence, despite all odds, there emerges hope for eventual peace, despite apparent chaos in the present.

Produced and directed by Mrs Shobha Deepak Singh

Opera at Habitat Series. Verdi’s “Rigoletto” sung in English with English subtitles

Event Description : MUSIC FILM : Opera at Habitat Series. Verdi’s “Rigoletto” sung in English with English subtitles.

Sunit Tandon introduces the highly-acclaimed production by Jonathan Miller of Verdi’s masterpiece, relocating the action to New York’s mafia-controlled Little Italy in the 1950’s. Rigoletto, a clowning bartender, keeps his beloved daughter, Gilda, well away from the mob he works for, but is cursed when he angers Don Monterone. A fatal chain of events is set in motion, as Gilda meets the philandering mafia boss (Duke), leading to a tragic conclusion..

Being Gandhi – A play based on the book by Paro Anand

Get your tickets here!

Insider: https://insider.in/being-gandhi-a-play-in-english-sep27-2019/event

BookMyShow: https://in.bookmyshow.com/plays/being-gandhi/ET00111736

Paytm: https://paytm.com/events/new-delhi/plays/being-gandhi-a-play-in-english/198748

Hey! So you’re 13 years old, Gandhi Jayanti is coming up and your class teacher has just given you a lame assignment where you have to behave like Gandhiji for a week. I mean…there are more important things a teenager has to worry about, right? Like pimples, and glasses, and cool clothes, and some things that can’t even be shared…But suddenly there is a cataclysmic event and your life is turned upside down.

Paro Anand’s new novel #BeingGandhi is a blend of fun, teenage angst, teenage rebellion, and all-too-soon coming of age, with Mahatma Gandhi at the epicenter. The play is a dramatization of the to-be-released novel.

Chandrashekhar – oh, how he wishes his parents had given him a cooler name – is cute, quirky, naughty and a little eccentric. His inner voice and mind are so active that it needs a whole character, known as C-In, to express itself, while his outer, nerdy, pimply self is C-Out. Even as he has fun and games with his school-friends and his family, little does Chandra know that the Queen of Boringsthan – Class Teacher, Preeti Ma’am’s Gandhi Jayanti assignment will change his life forever. It will probably change your too.

Performed by young Akshara Theatre, New Delhi actors Sharan Makhijani and Arjun Goel, as well as Lubhanshi Jain, Vidya Parthasarathy and the Akshara Repertory, Being Gandhi the play coincides with the release of Being Gandhi the book.

Tickets: Rs. 250 for 15 years and below and Rs. 350 for above-15 years, available on Insider.in, BookMyShow, and Paytm.

Tel: 01123742083

Sahitya Aaj Tak, India’s Biggest Literature Festival Is Back And We Can’t Keep Calm!

Drama | Hindi | 8yrs + | 1hr 40mins

For further details, visit: https://in.bookmyshow.com/plays/a-midsummer-nights-dreem/ET00366318

For more details, visit: https://in.bookmyshow.com/plays/kuch-life-jaisa/ET00364955